domingo, 22 de septiembre de 2024

The Snow Man - Wallace Stevens

 

The Snow Man

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

 

De la Wikipèdia (https://en.wikipedia.org/wiki/The_Snow_Man):

 "

From Wikipedia, the free encyclopedia
The Snow Man

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

"The Snow Man" is a poem from Wallace Stevens's first book of poetry, Harmonium, first published in the October 1921 issue of the journal Poetry.

Overview

Sometimes classified as one of Stevens' "poems of epistemology", it can be read as an expression of the naturalistic skepticism that he absorbed from his friend and mentor George Santayana. It is doubtful that anything can be known about a substantial self (Santayana was an epiphenomenalist) or indeed about substances in the world apart from the perspectives that human imagination brings to "the nothing that is" when it perceives "junipers shagged with ice", etc. There is something wintry about this insight, which Stevens captures in The Necessary Angel by writing, "The world about us would be desolate except for the world within us."[1][original research?]

The poem is an expression of Stevens' perspectivism, leading from a relatively objective description of a winter scene to a relatively subjective emotional response (thinking of misery in the sound of the wind), to the final idea that the listener and the world itself are "nothing" apart from these perspectives. Stevens has the world look at winter from a different point of view. When thinking of winter, one might think of a harsh storm. One might also think snow and ice to be a nuisance. Stevens wants people to see the opposite view. He wants the world to look at winter in a sense of optimism and beauty. He creates a difference between imagination and reality. See "Gubbinal" and "Nuances of a Theme by Williams" for comparisons.[original research?]

B.J. Leggett construes Stevens's perspectivism as commitment to the principle that "instead of facts we have perspectives, none privileged over the others as truer or more nearly in accord with things as they are, although not for that reason all equal."[2] This principle that "underlies Nietzschean thought" is central to Leggett's reading.[3] It may be observed that Stevens's remark in the passage quoted above from The Necessary Angel falls short of conforming to that principle, implying a condition of `the world about us' that is distinct from the perspectives we bring to it.[original research?]

Notes


  • Stevens, p. 169.

  • Leggett, p. 6.

    1. Stevens. H., p. 432: "The incessant job is to get into focus, not out of focus. Nietzsche is as perfect a means of getting out of focus as a little bit too much to drink." (Letter from Wallace Stevens to Henry Church, December 8, 1942)

    The Collected Poems of Wallace Stevens, New York: Vintage Books, 1954.

    References

    • Serio, John. "Introduction". 2007: Cambridge Companion to Wallace Stevens.
    • Stevens. H. Letters of Wallace Stevens. 1966: University of California Press.
    • Leggett, B.J. Early Stevens: The Nietzschean Intertext. 1992: Duke University Press.
    • Stevens, Wallace. The Necessary Angel: Essays on Reality and the Imagination. 1942: Vintage.

    "

    viernes, 23 de agosto de 2024

    Los enigmas en Las Meninas de Velázquez

    https://www.rtve.es/television/20210907/enigma-meninas-velazquez/2169043.shtml 

     

     

     

     

    The Mistery of Chaco Canyon (El misteri de l'engorjat de Chaco)

     

     https://youtu.be/g6eB4HWZ5KU?si=6gMCLRT2IiGEWiiI

     

     

    La escena que cambió el cine

     https://youtu.be/uoVEab0MFL8?si=cRQQ5PYdVa6hDFxF

     

     

     

     https://youtu.be/E-XUq4dxLWI?si=LP0jWu3LFPU9lAMK

     https://youtu.be/M5DnGqCGW3s?si=ROBW41DzHBKhxd49

     

    Los constructores de la Alhambra

     https://youtu.be/GZPqbjQzaTI?si=9Yef7XPxgsphl3vc

     

     

     

    Partites per a violí de Bach. Amandine Beyer, violí.

     https://youtu.be/m9zdGHZkj38?si=Jn5vefxtK1eGSQvk

     

     

     

    Una historia psicológica del cine alemán

    Llibre i documental.

    A youtube no he trobat el documental sencer.

     

    https://books.google.es/books?id=zxuiJmBM6p8C&printsec=frontcover&hl=es#v=onepage&q&f=false

     

     https://youtu.be/TKSs34oK7qM?si=OCJ_UCTdPBETb86A

    https://youtube.com/playlist?list=PLtp0D1dVJO

     

     https://youtu.be/VS4p99iR4QE?si=--nTMLQtTnDZOQXG

     

     

     

     

     

     

     

     

     

     

    domingo, 18 de agosto de 2024

    Astronomers Discover First Ever Pair of Merging Quasars at Cosmic Dawn

     https://icc.ub.edu/news/astronomers-discover-first-ever-pair-merging-quasars-cosmic-dawn

     El text prové de la web del Institute of Cosmos Sciences of the University of Barcelona (ICCUB). El cito literal.

    Text from the Institute of Cosmos Sciences of the University of Barcelona (ICCUB) web.

    "

    Date
    Observations with the Gemini North telescope aid in the discovery of the most distant pair of merging quasars, seen only 900 million years after the Big Bang

    A team of astronomers, including ICREA-ICCUB researcher Kazushi Iwasawa, have discovered a pair of merging quasars seen only 900 million years after the Big Bang. Not only is this the most distant pair of merging quasars ever found, but also the first confirmed pair in the period of the Universe’s history known as Cosmic Dawn. 

    Since the very first instant after the Big Bang the Universe has been expanding. This means that the early Universe was considerably smaller and early-formed galaxies were more likely to interact and merge. Galaxy mergers fuel the formation of quasars — extremely luminous galactic cores where gas and dust falling into a central supermassive black hole emit enormous amounts of light. So when looking back at the early Universe astronomers would expect to find numerous pairs of quasars in close proximity to each other as their host galaxies undergo mergers. However, they have been surprised to find exactly none — until now. 

    “This is the first quasar pair found in the early Universe”, says Dr Iwasawa, one of the core members of the SEHLLQs collaboration searching for low luminosity quasars at high redshift. “It means that the black holes in both galaxies are activated. It took a high-sensitivity and wide area survey like the HSC survey for this discovery. It is also worth noting that, although they are both low-luminosity quasars as observed, this system is expected to evolve into a very powerful quasar later when their black holes finally merge”.  

    Cosmic Dawn spanned from about 50 million years to one billion years after the Big Bang. During this period the first stars and galaxies began appearing, filling the dark Universe with light for the first time. The arrival of the first stars and galaxies kicked off a new era in the formation of the cosmos known as the Epoch of Reionization.   

    The Epoch of Reionization, which took place within Cosmic Dawn, was a period of cosmological transition. Beginning roughly 400 million years after the Big Bang, ultraviolet light from the first stars, galaxies and quasars spread throughout the cosmos, interacting with the intergalactic medium and stripping the Universe’s primordial hydrogen atoms of their electrons in a process known as ionization. The Epoch of Reionization was a critical epoch in the history of the Universe that marked the end of the cosmic dark ages and seeded the large structures we observe in our local Universe today.   

    To understand the exact role that quasars played during the Epoch of Reionization, astronomers are interested in finding and studying quasars populating this early and distant era. “The statistical properties of quasars in the Epoch of Reionization tell us many things, such as the progress and origin of the reionization, the formation of supermassive black holes during Cosmic Dawn, and the earliest evolution of the quasar host galaxies,” said Yoshiki Matsuoka, an astronomer at Ehime University in Japan and lead author of the paper describing these results, published in the Astrophysical Journal Letters.   

    About 300 quasars have been discovered in the Epoch of Reionization, but none of them have been found in a pair. That is until Matsuoka and their team were reviewing images taken with the Hyper Suprime-Cam on the Subaru Telescope and a faint patch of red caught their eye. “While screening images of quasar candidates I noticed two similarly and extremely red sources next to each other,” said Matsuoka. “The discovery was purely serendipitous.”   

    This image, taken with the Hyper Suprime-Cam on the Subaru Telescope, shows a pair of quasars in the process of merging. The faint patches of red caught the eye of astronomers and follow-up spectroscopy with the Gemini North telescope. The pair is seen only 900 million years after the Big Bang. Not only is this the most distant pair of merging quasars ever found, but also the first confirmed pair in the period of the Universe’s history known as Cosmic Dawn. Credit: NOIRLab/NSF/AURA/T.A. Rector (University of Alaska Anchorage/NSF NOIRLab), D. de Martin (NSF NOIRLab) & M. Zamani (NSF NOIRLab)

     

    The team was not sure that they were a quasar pair since distant quasar candidates are contaminated by numerous other sources, such as foreground stars and galaxies and the effects of gravitational lensing. To confirm the nature of these objects the team conducted follow-up spectroscopy using the Faint Object Camera and Spectrograph (FOCAS) on the Subaru Telescope and the Gemini Near-Infrared Spectrograph (GNIRS) on Gemini North. The spectra, which break down the emitted light from a source into its component wavelengths, obtained with GNIRS were crucial to characterizing the nature of the quasar pair and their host galaxies.  

    “What we learned from the GNIRS observations was that the quasars are too faint to detect in near-infrared, even with one of the largest telescopes on the ground,” said Matsuoka. This allowed the team to estimate that a portion of the light detected in the optical wavelength range is not coming from the quasars themselves, but from ongoing star formation taking place in their host galaxies. The team also found that the two black holes are whoppers, each being 100 million times the mass of the Sun. This, coupled with the presence of a bridge of gas stretching between the two quasars, suggests that they and their host galaxies are undergoing a major-scale merger.   

    “The existence of merging quasars in the Epoch of Reionization has been anticipated for a long time. It has now been confirmed for the first time,” said Matsuoka.   

    The Epoch of Reionization connects the earliest formation of cosmic structure to the complex Universe that we observe billions of years later. By studying distant objects from this period astronomers gain valuable insight into the process of reionization and the formation of the first objects in the Universe. More discoveries like this may be on the horizon with NSF–DOE Vera C. Rubin Observatory’s decade-long Legacy Survey of Space and Time (LSST), beginning in 2025, which is poised to detect millions of quasars using its deep imaging capabilities. 

      


     

    More information 

    This research was presented in a paper entitled “Discovery of Merging Twin Quasars at z = 6.05” to appear in the Astrophysical Journal Letters. DOI: 10.3847/2041-8213/ad35c7 

      

    The team is composed of Yoshiki Matsuoka (Ehime University, Japan), Takuma Izumi (National Astronomical Observatory of Japan, Tokyo), Masafusa Onoue (Kavli Institute for the Physics and Mathematics of the Universe, Japan), Michael A. Strauss (Princeton University, USA), Kazushi Iwasawa (Universitat de Barcelona Spain), Nobunari Kashikawa (University of Tokyo, Japan), Masayuki Akiyama (Tohoku University, Japan), Kentaro Aoki (Subaru Telescope, National Astronomical Observatory of Japan, USA), Junya Arita (University of Tokyo, Japan), Masatoshi Imanishi (National Astronomical Observatory of Japan, Graduate University for Advanced Studies [SOKENDAI], Japan), Rikako Ishimoto (University of Tokyo, Japan), Toshihiro Kawaguchi (Onomichi City University, Japan), Kotaro Kohno (University of Tokyo, Japan), Chien-Hsiu Lee (W. M. Keck Observatory, USA), Tohru Nagao (Ehime University, Japan), John D. Silverman (Kavli Institute for the Physics and Mathematics of the Universe, Japan), and Yoshiki Toba (Ehime University, Japan, National Astronomical Observatory of Japan, Tokyo, Academia Sinica Institute of Astronomy and Astrophysics, Taiwan). 

    "

     

    viernes, 5 de julio de 2024

    Miquel Martí i Pol, Pica d'Estats, Verdaguer

     

    Miquel Martí i Pol, Pica d'Estats, Verdaguer

    Amb els mots que no dic s’emplena aquest silenci ;
    amb els mots que no dic i amb els que dic, tal volta.
    Vosaltres els sabeu, que teniu la mirada
    fulgent d’immensitats, encesa de designis.

    De casa estant em sé i em sento entre vosaltres,
    tenaçment arrelat al cor d’aquesta pàtria
    que estimo més que mai amb profunda tendresa
    i ara teniu als peus, com sempre acollidora.

    Lluny de tot, prop de tot, ens agermana l’ombra
    del poeta que ens féu do de tanta harmonia
    i restituí el foc sagrat a les paraules.

    Amb ell ens hem après i ens aprenem encara,
    tossudament fidels als límits i a la parla
    que ens han configurat al llarg de tantes lluites.

    De casa estant escric aquests mots d’esperança.
    S’escola, lent, el temps per vials de capvespre
    i el pou dels anys és ple d’aigua clara de somnis.

    Som el que volem ser, i cap vent no pot tòrcer
    la voluntat tenaç que en nosaltres perdura,
    que hem de transmetre als fills amb urc i humils alhora,
    perquè en facin també, com nosaltres, bandera.

    Escric de casa estant i no em dol el silenci,
    car amb mots que no dic, i amb els que dic, tal volta,
    s’arbra el futur de tots i el goig de construir-lo.
    De cadascú depèn que sigui clar i possible.

    sábado, 30 de marzo de 2024

    Autotelic - Flow

     Autotèlic

    "Origin

    The word "autotelic" derives from the Greek αὐτοτελής (autotelēs), formed from αὐτός (autos, "self") and τέλος (telos, "end" or "goal").

    The Oxford English Dictionary cites the word's earliest use in 1901 (Baldwin, Dictionary of Philosophy and Psychology, I 96/1), and also cites a 1932 use by T. S. Eliot .[2]

    Use

    Mihaly Csikszentmihalyi describes people who are internally driven, and who as such may exhibit a sense of purpose and curiosity, as autotelic.[3] This is different from being externally driven, in which case things such as comfort, money, power, or fame are the motivating force. Csikszentmihalyi wrote that an autotelic person doesn’t need things like wealth, fame, power, or entertainment because they experience flow in all areas of life. They don’t depend on external rewards. They are fully involved in living life. They are also more independent and less vulnerable to manipulation.[4]

    A. Bartlett Giamatti characterizes sports, such as baseball, as autotelic activities: "that is, their goal is the full exercise of themselves, for their own sake".[5]

    Yvor Winters quotes from Eliot's aesthetic theory including autotelic, and criticizes:

    Art, then, is about itself, but this information does not help me to answer my questions, for I do not understand it. What, for example, would Pope or Dante have understood if this statement had been made to them regarding the poems which I have just mentioned? Or what can we understand with regard to these poems? About all we can deduce from such a passage is that the artist does not really know what he is doing; a doctrine which we shall find suggested and elucidated elsewhere, and which leads directly to the plainest kind of determinism.[6]"  Wikipèdia

     

    Flow

    "Flow in positive psychology, also known colloquially as being in the zone, is the mental state in which a person performing some activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity. In essence, flow is characterized by the complete absorption in what one does, and a resulting transformation in one's sense of time.[1] Flow is the melting together of action and consciousness; the state of finding a balance between a skill and how challenging that task is. It requires a high level of concentration. Flow is used as a coping skill for stress and anxiety when productively pursuing a form of leisure that matches one's skill set.[2]

    Named by the psychologist Mihály Csíkszentmihályi in 1970, the concept has been widely referred to across a variety of fields (and is particularly well recognized in occupational therapy).[3][need quotation to verify]

    The flow state shares many characteristics with hyperfocus.[4] However, hyperfocus is not always described in a positive light. Some examples include spending "too much" time playing video games or becoming pleasurably absorbed by one aspect of an assignment or task to the detriment of the overall assignment. In some cases, hyperfocus can "capture" a person, perhaps causing them to appear unfocused or to start several projects, but complete few. Hyperfocus is often mentioned "in the context of autism, schizophrenia, and attention deficit hyperactivity disorder – conditions that have consequences on attentional abilities."[4]

    Flow is an individual experience and the idea behind flow originated from the sports-psychology theory about an Individual Zone of Optimal Functioning. The individuality of the concept of flow suggests that each person has their subjective area of flow, where they would function best given the situation. One is most likely to experience flow at moderate levels of psychological arousal, as one is unlikely to be overwhelmed, but not understimulated to the point of boredom.[5]

    Etymology

    Flow is so named because, during Csíkszentmihályi's 1975 interviews, several people described their "flow" experiences using the metaphor of a water current carrying them along: "'It was like floating,' 'I was carried on by the flow.'"[6][failed verification][7]

    History

    Mihaly Csikszentmihályi and others began researching flow after Csikszentmihályi became fascinated by artists who would essentially get lost in their work.[8] Artists, especially painters, got so immersed in their work that they would disregard their need for food, water and even sleep. The theory of flow came about when Csikszentmihályi tried to understand the phenomenon experienced by these artists. Flow research became prevalent in the 1980s and 1990s, with Csikszentmihályi and his colleagues in Italy still at the forefront. Researchers grew interested in optimal experiences and emphasizing positive experiences, especially in places such as schools and the business world.[9] They also began studying the theory of flow at this time.[10]

    The cognitive science of flow has been studied under the rubric of effortless attention.[11]" Wikipedia

    sábado, 13 de enero de 2024

    Dubliners - Dublinesos -James Joyce

     Desconec la font de la cita:

    "Imagine a city cloaked in a shroud of rain and regret, where dreams curdle into disappointments and lives echo with the hollow clink of unfulfilled potential. This is Dublin in James Joyce's "Dubliners," a collection of short stories that aren't just tales, but intricate miniatures, capturing the hushed despair and simmering frustrations of life trapped in a cycle of stagnation.
    Meet Mr. Kernan, once a proud man brought low by alcoholism and societal scorn. Witness Eveline, a young woman teetering on the precipice of escape, held back by invisible chains of filial duty. We encounter Little Chandler, a man yearning for passion, finding only the lukewarm ashes of a loveless marriage. Each character, meticulously crafted by Joyce, becomes a poignant chord in the symphony of Dublin's disenchantment.
    The stories meander through the cobbled streets and smoky pubs, revealing the claustrophobic grip of social constraints, religious dogma, and economic hardship. Ambition withers in the damp air, replaced by a resigned acceptance of mediocrity. Laughter, when it emerges, is tinged with irony, masking the gnawing discontent that festers beneath the surface.
    Joyce doesn't bombard us with overt drama. His brilliance lies in the subtle details, the unspoken longings that flicker in a character's eyes, the pregnant silences that speak volumes. He dissects social interactions with surgical precision, exposing the hypocrisy and shallowness that lie beneath the veneer of polite conversation.
    The collection culminates in "The Dead," a masterpiece of Irish literature. During a Christmas party, amidst forced merriment and drunken revelry, Gabriel Conroy experiences a profound epiphany. He confronts the ghost of his past, the shadow of a dead love, and the unsettling realization of his own unlived life. It's a moment of reckoning, a stark awakening that echoes through the halls of the party and reverberates beyond the final page.
    "Dubliners" isn't a book that offers easy comfort or heartwarming resolutions. It's a mirror held up to a society in stasis, forcing us to confront the limitations of our own lives and the choices we make. It's a hauntingly beautiful portrait of human yearning, frustration, and the bittersweet ache of unfulfilled potential.
    So, dear reader, if you dare to step into the rain-soaked streets of Joyce's Dublin, if you're willing to grapple with the complexities of the human condition without the sugarcoating of happy endings, then dive into these stories. You may not find easy answers, but you will encounter characters so real, so nuanced, that they will stay with you long after you turn the final page. And within the symphony of their sorrows, you might just hear the faint notes of hope, a melody of resilience whispering in the face of despair."